THE ROSE TATTOO
Get tickets here to see Zoë Wanamaker star in a new London production of Tennessee Williams' classic play.
The Rose Tattoo is set amongst the vibrant Sicilian community of New Orleans. All through the night Serafina craves her husband’s return; at dawn, she learns he’s been shot dead. For the next three years, she channels her fiercely passionate love into mourning, living on past glories while straitjacking her vivacious daughter, Rosa. But an ugly rumour gathers force to contaminate her memories, just as Rosa turns rebel and an eye-catching truck driver comes knocking at the door.
THE BASICS
Show Type : Play
Started: 19/03/2007
Opened: 29/03/2007
Closing: 08/08/2007
Duration: 2 hrs 55 mins
with 1 interval
Performance Schedule:
|
Sun |
Mon |
Tue |
Wed |
Thu |
Fri |
Sat |
No
Show |
7:30pm
|
7:30pm
|
7:30pm
|
7:30pm
|
7:30pm
|
2:00pm
7:30pm
|
Individual tickets booking through:
08/08/2007
Group tickets on sale through:
08/08/2007
Group Minimum:
20 tickets
STARRING
Zoë Wanamaker as Serafina
Wanamaker was last seen at the National in His Girl Friday. She's also appeared in London productions of Battle Royal, The Crucible, Mrs. Klein, The Bay at Nice and Wrecked Eggs, and The Importance of Being Earnest. On Broadway, she has been Tony nominated for her roles in Awake and Sing!, Electra, Loot and Piaf.
Also Starring:
Sarah Annis as Bessie
Sheila Ballantine as Miss Yorke
Sharon Bower as Estelle Hohengarten
Jonathan Bryan as A Man
Nicolas Chagrin as Father de Leo
Sadie Shimmin as Mariella
Marilyn Cutts as Teresa
Buffy Davis as Flora
Darrell D'Silva as Alvaro
Susannah Fielding as Rosa delle Rose
Rendah Heywood as A Girl
Stephanie Jacob as Peppina
Katerina Jugati as Giuseppina
Rosalind Knight as The Strega
Andrew Langtree as Jack Hunter
Jules Melvin as Violetta
Gerard Monaco as A Doctor
Maggie McCarthy as Assunta
Mac McDonald as The Salesman
CREATORS
Written by Tennessee Williams
Directed by Steven Pimlott and Nicholas Hytner
Production Design by Mark Thompson
Lighting Design by Peter Mumford
Sound Design by Paul Groothuis
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